When you think about it, we find that the designer David Koma, the Georgian-born, who is 29 years old and based in the London-based, it was a natural choice for the position of creative director at Mugler Mugler. Coma began his career mainly in the age of thirteen, thanks to the icon Iimaninih. But even with possessing extensive knowledge on the house, the reorganization Mirathih mark is not easy. Try Nicolas Formachitty this in advance when he signed a contract for the Mugler creative director in 2010, to step down after three years after a series of dramatic walkway Offers strongly Touch Lady Gaga and reports blended. (Side note: Formachitty the right decision taken is keen in his current position as director of creative in diesel Diesel). But with repeated revive the brand comes the risk of producing unusual designs or derived from some of them. But the first group of House Coma Mugler: Cruz in 2015, and unveiled yesterday at Milk Studios Milk Studios in New York, were not as well (looking at this for yourself by clicking here).
Coma work determined to devote his own, but with a nod to the desirability of thin methods of the old school, and began designing a modern wardrobe rather than fashion review, hence the choice that Cruz group exhibition be quiet rather than Parisian display high reverberations on the walkway. Came clothing ranked Mugler honors the legacy of bold vital clothes but looked different signing David Koma. Sometimes, the best way to renew the iconic house is through making something a little different. Here, Coma Styl.kom avoided talking about the archival designs and plans for Mugler, and what it means to respect a certain legacy.
-catheran Kyi. Zarella, Styl.kom
When Altakitk for the first time in London in 2011, told me that Mugler work Olhmtk to be a fashion designer. What role played by his designs in the development of aesthetic values?
begun design at a very early age. I told the thirteenth when I saw the documentary about Mugler, and it contains all the performances. Recorded and I have seen over and over again. Surprised me visual effects and fantasy and physical proportions and cuts and materials used. Since that day, I learned that this is what I want to do. I discovered two different designers certainly when I moved to London and studied at Central Saint Martin’s College, but Mugler form the first big impression for me. I love anatomy, I received lessons in anatomy at the Art School in St. Petersburg, and I love the female body and Qsath and the work that is going on around him to design a beautiful and attractive clothing. I learned a lot by looking at the groups] Mugler [stunning Qsath. So I can say that it really was a great influence on the internal designer.
Why do you think that the house Mugler you continued to hold that position? Why do you think you’re the right person?
I do not know, but it is strange. I feel that I will receive this contact someday. When I received seemed so normal, and during the interview acted on my nature. I have faith and that was the right time and the right place appropriate moment. I think they just trust me.
She told me that you did not look at the archives and you design your group first, which seems intuitive and you start your business in Dar es Mirathih. Why trod that path?
I thought it was important for me to introduce my personal view of the house and explore the hands of the line for the new Mugler. I wanted to respect the symbols of the house while I make new symbols. With a succession of seasons, we will add more details inspired by the stunning archival pieces. And I’m not talking just about couture amazing offers that everyone knows, there are more things that the enthusiasm to explore every day. But to view Cruz first, I thought it was important that the group really represent me.
Is the width of the opening in your group cruise, not during the spring or fall deliberate? Option
Yes. I felt it was very important to build the layout and build a group and focus on the Treasury more than display pictures, and we all love and we are galvanized all of us, but I felt that it was necessary that the platform created by all of this. I like the idea that we offer in New York at Milk Studios, I think it looks very modern and airy and has a link with what we are doing now. It seemed natural to start really so.
How can a designer to work which respects Dara iconic like Mugler and remain faithful to the aesthetic values of the personal at the same time?
One of the first steps is due not to tamper archives. I love the legacy of the house from the depths of my heart. The important thing was created by, I try to do it gently, to understand a woman’s body in the same way but in a different era is something important.
This group is similar to a real closet more than Nicolas Formachitty designs. Are you Mugler asked to do so in particular?
No. No one told me about the approach taken in the cruise. I just felt that the new Mugler modern woman who is active and vibrant and probably entered the business world. It’s grainy and a young woman, so it was important for me that I develop the line before cutting to make a walkway that prominent. Behind every successful business, there is a depth and diversity. I found that the key to success will be to reform it in the beginning.
Did you learn anything from your vision for groups Formachitty the house?
We did not talk about it. When she entered the house, did not analyze not looking at it. All my decisions and all my designs relied purely on my feeling toward the house and what I love in the house and I am and what I want this house.
Are you going to see some dramatic cut Mugler on Spring Walk of 2015? Or do you keep them watered finishing touch?
All of this depends on what you felt at the time. I like that very, very confident Bhdsa what I feel at a given moment. I do not know what will appear in the future, but I think it will develop more and more to the walkway offers coming seasons. Mugler will grow to become more established.
How to design differs from Mugler design to set your name? Do you change anything in your approach?
design process similar to that I try to be honest with myself, always. But I am working in two different cities, and with two totally different. This makes a big difference. We embrace the principles of sewing in Mugler, something very different from what we do in David Koma, and this is a big change. But when I’m working on the design, and for the way in which relatives of the things, I’m always honest with myself and do what I think is right.
Have you met and interacted with Mr. Mugler?
Not yet, but I’m very excited to meet him. Hopefully we will meet very soon.
Do you own an ambitious high-end design? Clothes
Yes! I would not say that this will come in the near term, but Mugler known of stunning couture pumping, so it did not rule out the possibility that at some point? I think it’s also important to have a direct contact with the customers and make a cut once.
What about some of your goals for the next house?
In the first year, we will focus on garments and make it strong-oriented and excellent. We are planning to launch a line of accessories soon, but Thierry Mugler launched line of clothes, so we felt it was important to focus on the re-launch of women’s clothing. Shoes, bags and accessories will come soon after. In addition, Mugler perfumes Imitk a more successful in the whole world, it is important for me to join the perfume field, for the whole of clothes and perfumes. This may take time, but what we are working on now. Parties can Atarafa on each other more and more and be more cooperative for the next releases of perfumes and generally happens in Mugler approach.
